top of page
ZHOU NA
NINE LIES
![]() | ![]() | ![]() |
|---|---|---|
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
These portraits were made in Siem Reap, Cambodia, where wives and daughters spoke of the violence hidden inside their homes. Some wounds are visible, others remain unspoken—but all leave traces across generations.
bottom of page



































